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The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
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This book develops the idea that Modernity's defining characteristic is that of continual reassertion of ambivalence. In light of this argument the author revisits writers such as Goethe, Marx and Dostoevsky adding new dimensions to them all as well as to our understanding of Modernity.
"Combining the best of Tolkien's Lord of the Rings, Rolvaag's Giants in the Earth, and Moberg's The Emigrants, Lindberg's saga spans nearly a millennium beginning with the last of the Crusades... nineteenth-century Norse immigrants to ...
About this book
"Combining the best of Tolkien's Lord of the Rings, Rolvaag's Giants in the Earth, and Moberg's The Emigrants, Lindberg's saga spans nearly a millennium beginning with the last of the Crusades... nineteenth-century Norse immigrants to America...cultural acclimatization...struggle to maintain their faith in an increasingly hostile climate... A connecting thread throughout the saga...three interlocking golden Rings..." (from the Forward by John Eidsmoe)
Years after the war, she would find a way to return them to the family she'd served even in their exile. In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century.
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The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who "burned like a comet" in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir's Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler's theorist on the "Jewish question" appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she'd served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.